The Purple Light ~ Inspirations and Spirituality : The Alchemist of Elysium

Monday, August 11, 2025

The Alchemist of Elysium

By Kenneth Schmitt

Posted on August 11, 2025

Elara lived in Elysium, a city shrouded in the shadow of the collective anxieties of its inhabitants. Every citizen carried an invisible burden—a 'Shadow,' as they called it—an energetic knot of their deepest, unacknowledged, limiting beliefs. Elara’s shadow was a shimmering, translucent veil that whispered doubts about her artistic talent, convincing her that her paintings were destined for obscurity. She yearned to paint with the vibrant hues she saw in her dreams, but her hand always faltered, guided by the dull palette of her self-doubt.

The city’s wise elder, Kahu Ipo, often spoke of the 'Heart-Song,' an inner melody that could shatter the Shadows. He taught that fear was the true architect of their limitations, and that their inner feelings and the qualities of their thoughts and emotions are the key to unlocking people’s true potential. Elara, like many, listened but struggled to internalize her words. Elara’s Shadow, ever present, reinforced the notion that such wisdom was for others, not for a mediocre artist like her.

One day, a young boy approached Elara. His Shadow was a small and barely visible. His name was Myhe. He asked her to paint a portrait of his pet, a vibrant, iridescent bird. As Elara began, her Shadow intensified, whispering its usual criticisms. But Myhe, with his innocent, unwavering belief in her, radiated a pure, high-frequency joy. His presence was a stark contrast to her internal monologue. Elara noticed that when she focused on Myhe’s genuine excitement, her Shadow seemed to thin, its whispers less potent. Kahu Ipo’s words echoed in Elara’s mind: "If we are judgmental toward someone, we are that person in our greater consciousness, and we apply that judgment to ourselves subconsciously."

Elara realized she had been judging herself, enforcing her own limitations. She had been so focused on her perceived flaws that she hadn't allowed the natural flow of creativity to express itself. She decided to apply Kahu Ipo’s wisdom to herself. Instead of judging her brushstrokes, she began to infuse them with compassion, with the same acceptance she would offer a struggling child. As she painted, she intentionally shifted her thoughts from self-criticism to appreciation for the act of creation itself. She focused on the vibrant colors of Myhe’s bird, allowing her intuition to guide her hand.

The more she embraced this positive, high-frequency state, the more her Shadow receded. It didn't vanish entirely, but its grip loosened, its whispers fading into a distant sound. Her brushstrokes became bolder, the colors on her canvas mirroring the vividness of her inner vision. When the portrait was complete, it was a masterpiece. The bird seemed to leap from the canvas, its feathers shimmering with an otherworldly light. Myhe gasped, his eyes wide with wonder. Elara looked at her painting, then at her hands, and finally, at the faint, almost transparent wisp that was once her oppressive Shadow. She understood then that her outer experience had indeed changed, not because her environment had shifted, but because her powerfully-directed intentions, aligned with the Heart-Song of her Being, had transformed her inner reality. She was no longer just a painter; she was an alchemist of her own existence, capable of transforming doubt into dazzling creation, one compassionate brushstroke at a time. Elysium, she realized, was not a city of shadows, but a canvas awaiting its true colors, waiting for each inhabitant to become their own alchemist.

Kenneth Schmitt